By Glenn A. Odom
World Theories of Theatre expands the horizons of theatrical idea past the West, offering the instruments crucial for a really international method of theatre.
Identifying significant debates in theatrical thought from around the globe, combining discussions of the most important theoretical questions dealing with theatre experiences with prolonged excerpts from fundamental fabrics, particular fundamental fabrics, case reviews and assurance of Southern Africa, the Caribbean, North Africa and the center East, Oceania, Latin the USA, East Asia, and India. the quantity is split into 3 sections:
- Theoretical questions, which applies cross-cultural views to key concerns from aesthetics to postcolonialism, interculturalism, and globalization.
- Cultural and literary theory, which is organised by way of region, presenting a variety of theatrical theories of their ancient and cultural context.
- Practical routines, which presents a short sequence of feedback for actual exploration of those theoretical concepts.
World Theories of Theatre presents clean, important methods of considering the theatre, highlighting the extreme variety of techniques on hand to students and students of theatre studies.
This quantity contains theoretical excerpts from:
- Zeami Motokiyo
- Bharata Muni
- Wole Soyinka
- Femi Osofisan
- Uptal Dutt
- Saadallah Wannous
- Enrique Buenaventura
- Derek Walcott
- Werewere Liking
- Maryrose Casey
- Augusto Boal
- Tadashi Suzuki
- Jiao Juyin
- Oriza Hirata
- Gao Xingjian
- Roma Potiki
- Poile Sengupta
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World Theories of Theatre by Glenn A. Odom