By Claudia Johnson,Henry Jacobs
Shakespeare used to be enormously renowned in nineteenth-century the United States, the place the theater used to be either a resource of leisure and debating flooring for people with differing political opinions.
Just as renowned because the Bard’s works—or might be extra so—were the various burlesques and parodies of Shakespeare, in particular within the 1840s, while relationships among the U.S. and nice Britain have been strained at most sensible.
The use of Shakespearian parodies to attain political issues used to be universal on either side of the Atlantic. within the United Sates, the nice Shakespearian contention erupted in New York’s Astor position revolt, an occasion sparked through the operating classification love of an American actor over long island gentility’s help of his British rival. The ensuing chaos left dozens of individuals useless, many extra injured, and cemented the department of yank theater productions through class.
In The Bard Debunked, authors Claudia Durst Johnson and Henry E. Jacobs supply a funny yet accomplished annotated bibliography of nineteenth-century Shakespearian burlesques, supported via an insightful starting article explaining the position such parodies had in shaping American perspectives on social classification, international politics, and Shakespeare himself.
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Extra resources for The Bard Debunked: An Annotated Bibliography of 19th Century Parodies of Shakespeare
The Bard Debunked: An Annotated Bibliography of 19th Century Parodies of Shakespeare by Claudia Johnson,Henry Jacobs