By Amanda Eubanks Winkler
In the seventeenth century, harmonious sounds have been idea to symbolize the well-ordered physique of the obedient topic, and, by means of extension, the well-ordered kingdom; conversely, discordant, disagreeable song represented either those that prompted disease (murderers, drunkards, witches, traitors) and those that suffered from physically issues (melancholics, madmen, and madwomen). whereas those theoretical correspondences appear common, in theatrical perform the musical portrayals of disorderly characters have been multivalent and infrequently ambiguous.
O allow us to Howle a few Heavy observe makes a speciality of a few of the ways in which theatrical tune represented disorderly subjects—those who offered both a right away or metaphorical danger to the health and wellbeing of the English state in 17th-century England. utilizing theater track to envision narratives of social heritage, Winkler demonstrates how song reinscribed and infrequently resisted conservative, political, spiritual, gender, and social ideologies.
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Additional info for O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage
O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage by Amanda Eubanks Winkler