By Angela C. Pao
---Josephine Lee, collage of Minnesota
"Non-traditional casting, more and more practiced in American theater, is either deeply hooked up to our country's racial self-image(s) and woefully under-theorized. Pao takes at the perform in its entirety to disentangle some of the strands of this extremely important issue."
---Karen Shimakawa, manhattan University
No secure Spaces seems at some of the most radical and enduring alterations brought throughout the Civil Rights era---multiracial and cross-racial casting practices in American theater. The circulate to solid Latino/a, African American, and Asian American actors in vintage degree works by means of and approximately white Europeans and americans is considered as either social and political gesture and inventive innovation. Nontraditionally solid productions are proven to have participated within the nationwide discussion approximately race kin and ethnic identification and served as a resource of renewed creativity for the staging of the canonical repertory.
Multiracial casting is explored first via its heritage, then via its creative, political, and pragmatic dimensions. subsequent, the publication makes a speciality of case reports from the dominant genres of latest American theater: classical tragedy and comedy, glossy family drama, antirealist drama, and the Broadway musical, utilizing a huge array of archival resource fabrics to reinforce and light up its arguments.
Angela C. Pao is affiliate Professor of Comparative Literature at Indiana University.
A quantity within the sequence Theater: Theory/Text/Performance
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Extra info for No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater (Theater: Theory/Text/Performance)
No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater (Theater: Theory/Text/Performance) by Angela C. Pao